Monday, January 25, 2016

Weaver's Station revisited

Mondeluz and Inktense watercolor pencil in my Aquabee sketchbook.
Our sketching group met during the first part of January to draw and paint a part of Florida that is a part of Florida history.  Across from the Big Cypress Bend Boardwalk in Fakahatchee Strand Preserve State Park is a little-visited area that was formerly known as Weaver's Station.  I had sketched a bit of this area back in previous years, and you can read about the history of this place in my post here.

I drew part of this same rustic structure from a different angle two years ago (below).  While it's still standing, the large door has collapsed further into the interior. 

It felt good to revisit this place and to know that some things continue on, especially a piece of Florida history along the Tamiami Trail (US 41) that many drive by every day, not realizing the significance of the road they travel.

Water-soluble pencil on watercolor paper.

Friday, July 17, 2015

Sketching with friends ~ Freedom Park

Ink and watercolor pencil sketches from the boardwalk.

Even though it's July, I wanted to catch up and share a sketching trip to Freedom Park in July with friends. The springtime blooms faded, summer flowers were filling up the nooks of bright green foliage.  This is along the wetlands side of the park, all seen from the boardwalk.

On the opposite page I made notes, and all the memories flooded back...

Butterflies fluttering: flashes of white peacock, the orange and yellow of sulphurs, a gulf fritillary with its silvery underside splotches and orange and brown topside, Florida whites shining in the sun.
Birds seen and heard: cardinals, red-winged blackbirds, a hawk (red shoulder?) patrolling low and calling to another hidden in the trees.
Blooming: creamy ivory pond apple, bright yellow and orange cannas, glowing violet pickerel weed and an unknown heathery-looking plant, dusty pink camphorweed, clear yellow hypericum and primrose willow, small pointy lavender alligator flag flowers.
More color:  the captivating red/bronze/pink blush on the pristine green of young red maple leaves, the clear deep red-brown tannin-stained flow of lazy water, the fleeting sparkle and flash of light and color from vivid red and blue dragonflies, the slower leap of bright yellow adult lubber grasshoppers.
Heard in the background: an opera of occasional bird call underscored with the drone of cicadas, with a background of road traffic murmuring through the gaps.

It was becoming a hot and drowsy day...time for lunch with friends at a nearby cafe!

The above sketch is done with:
6 x 9 inch Aquabee Super Deluxe sketch pad
Watercolor pencils: Mondeluz 12 pencil set
Micron Pigma 01 black ink pen

Sunday, March 29, 2015

Ding Darling inspires us!

We had a special visitor to my class, Watercolor Pencil Introduction: Botany through Art, at the NaplesBotanical Garden.  He brought treasures that we might experience once in our lives: the original sketchbooks of Jay “Ding” Darling, up close and personal.  You can see a video of this visit, as well as comments from three of us, below!  Be sure to full-screen the video to see the sketchbooks better (the little square bracket icon on the bottom bar far right is for full-screen.  Press ESC on your keypad to return to the small size at any time).

Samuel Koltinsky, owner and Executive Producer of Marvo Entertainment Group LLC came to share his experiences along a path of discovery that started with the production of a documentary video “America’s Darling: The Story of Jay N. ‘Ding’ Darling.” 

Starting with a brief biographical sketch of Jay Norwood “Ding” Darling, he next showed us a video short clip about the creation of the first Duck Stamp.  From there he led us on a tour of Ding’s behind-the-scenes work: small sketchbooks, studies, handmade greeting cards, travel scrapbooks/sketchbooks, and more. 

The sketchbooks are unique.  Ding appeared to sketch everywhere he went, on cruises, in restaurants, during vacations.  There is a series of wave studies in one of his small sketchbooks (surely no larger than 4 x 6 inches) that caught everyone’s eye.  He began with very simple lines, trying to capture the water’s movement.  Several drawings later – there it is!  A perfect capture!  One feels the roll of the ocean, the mist of salt air across the face… all in a few pencil lines…

Field sketchbooks and studies are fascinating because to me they reflect the hand of the artist more than any other artworks they create.  From the paint splatters to tentative lines to decisive pencil strokes to the first splash of rain drops – it’s all there.  These marks tell an amazing story of their own.  As artists and sketchers ourselves, we relate to the stories they tell.  We relate to the artist behind them.

Those of us who live in Southwest Florida are familiar with the name Ding Darling because of the J. N. "Ding" DarlingNational Wildlife Refuge on nearby Sanibel Island.  My connection with Ding is through childhood memories of his cartoons.  Growing up in Iowa, those cartoons were a familiar sight: a book on the coffee table, a reprint in the paper, an illustration in a magazine.  Although his heyday was a generation or two ahead of mine, his influence persisted. 

Ding enjoyed a long career at the Des Moines Register as an editorial cartoonist, and his work was known world-wide.  He won the Pulitzer Prize in 1924 and 1943.  His cartoon artwork commented on cultural and historical events of the time, and promoted the idea of environmental conservation to the masses.  Although he passed away in 1962, his legacy left an imprint on anyone from Iowa with an interest in nature, wildlife, and conservation.

If you’ve never heard of Ding Darling, do some exploring.  He was a renaissance man for his times: a cartoonist, a fine artist, a conservation pioneer, a metal and wood-worker.  He worked at the Federal level, appointed as the Chief of the Bureau of Biological Survey.  During his administration, three million acres of public land were set aside as wildlife refuges, the first network of game refuges.  Ding founded the NationalWildlife Federation, the largest grassroots conservation organization in our country.

Darling had a winter home in Florida on Captiva Island for many years, a stilt home he designed himself.  The Sanibel National Wildlife Refuge on Sanibel Island was later officially renamed and dedicated to him.

Thank you, Sam, for bringing Ding Darling to life for us, and thank you for the unique opportunity to see his sketchbooks in an intimate setting!  We all have a new appreciation for this man, and for seeing the world through his eyes.  As artists of all levels, we connect to the stories he tells through his pencil, pen, and brush.

Video clip above courtesy of Samuel Koltinsky, MarvoEntertainment Group LLC.

For more exploring:

 Eleven thousand cartoons are currently represented in this collection, which also features selected audio recordings of Darling’s dictation – a chance survival documenting his voice, vigor, and attitudes.

This spectacular 6,300 acre nature preserve is home to over 200 species of birds, alligators, mangrove forests, and more.  Named one of the top ten birding spots in this nation, the refuge is one of the most visited in the nation, with almost a million visitors annually.

DingDarling Wildlife Society, Friends of the Refuge   

Tuesday, March 24, 2015

Catching up…

Time has been slipping by so quickly – which is what happens when you are busy!  In Florida, our busy season reflects an increase in population when our winter visitors flood the city and beaches.  So I’ve been busy on several other fronts, which leaves me little time for sketching and posting.  So…maybe I can catch up here!  Here’s an update if you’re interested.

Butterflies, gardens and nature journals
In November I was invited to speak at the 14th Annual SW Florida Butterfly Conference held at the EdisonFord Estate in Fort Myers, Florida.  I shared some inspiring journal pages from various artists on gardening for butterflies, with observations on caterpillars and nectaring butterflies.  I also included some images of early and contemporary naturalists as well as butterflies interpreted through an artistic lens.  I left feeling that participants were inspired to start their own nature journals, perhaps documenting their own butterfly gardens or just capturing images from their travels.  I was inspired in turn by the warm response and friendly comments, and learned quite a bit about butterflies!

Watercolor Pencil Workshop: Botany Through Art
Through November and December I had the opportunity to teach a workshop on watercolor pencils via nature journaling at the fabulous NaplesBotanical Garden.  We had a wonderful group of participants, each one adding a unique viewpoint to experience.  I love the mix of perspectives: a college science teacher, a pulmonary physician, artists whose specialties are acrylic and watercolors, a professional writer, and more.  Each of us sees the world in a slightly different way, and our journal pages are shaped by our personalities as well as our life experiences.  Each week was a joy.

Something different! 
I was invited to paint a ceramic piece for the annual Empty Bowls Silent Auction held in January.  For every dollar that they raise, the Harry Chapin Food Bank turns it into $6 worth of food for the local food banks in Collier County.  Painting on clay is a very different and challenging experience!  This is the third year I’ve done this, and each time I’m delighted with the variety and creativity of the ceramic pieces offered.

A twisted bald cypress tree at the edge of a cypress dome.
Back to the Fakahatchee
Our sketch group met for one more time in the Fakahatchee in January, choosing the same location as last November.  Last fall Ipainted a view of the Lake Gloria extension, edged by a cypress dome on one side.  This time I chose a lone cypress tree that caught my eye.  All the trees around were straight and tall, but this particular tree had such an interesting twist to it.  The morning sun caught each ridge of the delineated trunk.  What made this tree grow so differently?  Why the twist?  It seemed a striking testament to the will to survive and thrive, each curve and twist reflecting some event in its growth cycle.  Sort of like the scars, gray hairs and wrinkles we accumulate as we move through the events of our lives.  I could relate to this tree!

Environmental Art and the Food Forest
Later in January I was invited I was invited to share my sketch journals and give an introduction to watercolor pencils at a class at Florida Gulf Coast University.  After a slide show and short discussion we adjourned to the Food Forest to sketch.  This is an amazing place, and I cannot possibly tell you all about it here.  Look for more details in a future post.  I was so impressed by the groups of students in the class as well as the students who created and maintain the garden.  Let me say that if you are interested in gardening and what young people are doing with it, you need to read more or better yet, arrange a visit.  You can visit their webpage here, see the listing on the FGCU site here, and finally, check out their Facebook page for the latest news.  I appreciate Professor Mary Voytek for arranging this wonderful opportunity, and for encouraging and inspiring her class of artists and environmental studies students to explore their natural surroundings through art. 

Also in January
I had an opportunity to share my sketchbooks and talk about nature journaling at the Family 4-H Day event, Lehigh Acres.

I presented a Nature Journal Workshop for the FNPS Coccoloba Chapter at Six Mile Cypress Slough Preserve.  I met a group of friendly and native-plant knowledgeable folks who did a great job with just a few hours of introduction to a new media. I can only visualize how far they’ve taken their new skills and where they will take them!

A gopher tortoise emerging from his burrow.
And in February…
A group of us went to TheNaples Preserve to sketch.  I had a chance to meet and sketch with an online friend, and we ended up taking part in a promotional film clip for the Preserve.  The Preserve is an amazing place, a little patch of scrub and pines right smack in the middle of the city.  If you live in or visit Naples, you should visit this rapidly disappearing habitat. 

And now for March…
I started another Watercolor Pencil Workshop at The Naples Botanical Garden in March, which is ongoing through April.  We have another great group of artists of all ranges and backgrounds, and I’m enjoying this class as well!  There are old friends and new, and the Garden is at it’s flowering peak.  One of our challenges is that there are too many subjects to sketch!
Leaf demonstration in watercolor pencils at the Enabling Garden..
At some point I hope to get back to sketching more regularly.  I get so much joy from teaching and sharing what I’ve learned, though.  I just need a few more hours in each day…

Thanks for stopping in to catch up!

The above sketches are done with:
6 x 9 inch Aquabee Super Deluxe sketch pad
Various watercolor pencils: Faber Castell Aquarelle and Albrecht Durer, Derwent Inktense
Mechanical pencil
Micron Pigma 01 black ink pen

Click on any image to view larger.

Thursday, November 13, 2014

Fall in the Fakahatchee

You can click on any image above to view larger.
Last Saturday, we met at the blue Harmon Building on Janes Scenic Drive within the Fakahatchee Strand Preserve State Park.  From this starting point, we could choose a number of possible sketching locations.  Across the road is Lake Gloria, named after the wife of the former landowner.  The lake was created years ago when it was dug for roads and construction.
The door to the Harmon Building.

I chose to sketch the back extension of Lake Gloria, which formed a pond bounded by cypress, cattails, and a grassy area filled with blooming and seeding goldenrod.  A perfect day for sketching, with the sun warming my back, and a cool breeze ruffling the lake and my sketchbook pages.

Monarch and Gulf Fritillary butterflies  flitted between Spanish needles, goldenrod and a tiny purple morning glory (Ipomoea triloba? ) straggling over the rocky ground below my feet near the lake’s edge.  A little blue heron kept vigil from a nearby young cypress tree, flying back and forth from the far edge of the lake to the tree, keeping an eye on me.  Was I friend or foe?    
Little blue heron.

Black vulture feather?
Black vultures circled around and around in a distinctive kettle pattern over the cypress dome, and a pair of kingfishers swooped though the air playfully chittering to each other.  The heat of the sun brought out that unique earthy fragrance of freshwater lakes.  The clear blue sky slowly filled with clouds ahead of the oncoming front, breathing a gentle softness over the skin.  The light changed again and again within two hours, as I struggled to capture what I could.

November is filled with subtle colors here – the rusty sienna of bald cypress needles ringing the pond contrast with the bright greens of shrubs and grasses.  Cattail stands are silvery white, golden brown, and green, all at the same time.  The grassy space to my right was filled with a range of yellow, gold, and brown as tall stands of sturdy goldenrod alternately bloomed and went to seed. 

The pond’s surface changed constantly with the light and the wind – first a mirror to the blue sky, then the reflective browns and greens of the foliage around the edge, then tannin-stained clearness in the shallows, revealing rocks and the hulking shapes of gar fish and darting minnows.  Dragonflies floated on the breeze, moving aimlessly from cattail to rock to grass tip.

White pelicans!
In the early afternoon we were treated to a rare sight: a group of over three dozen white pelicans searching for a spot to land.  I learned from the ranger with us that white pelicans seldom come this far inland this time of year, usually preferring nearby coastlines.  We speculated that the upcoming front perhaps drove them this far into the center of the state.  Whatever the reason, it was an amazing sight, and the perfect end to a perfect sketching day!

The fall colors of the Fakahatchee, along the bank of Lake Gloria.
The sketch was done in my:
Aquabee Super Deluxe  spiral-bound sketchbook
9x6 in, (22.86 x 15.24 cm), 93 lb. paper,
Sakura Micron Pigma pen 01, Niji waterbrush,
and Faber-Castell Aquarelle watercolor pencils.

Tuesday, November 4, 2014


My Cassia shrub has suddenly started blooming like crazy!

 Keeping a nature journal and the subsequent quest for deeper knowledge led me to discover that this native is not as advertised!  I planted this about two years ago, and was thrilled to see it covered with flowers this fall.  The butterflies and caterpillars love it, and the bright yellow buds and blooms all over this five-foot rambling shrub lighten the heart. 

The right-side-up view.
As always when I sketch something, I start wondering about it.  I wondered what kind of caterpillars were on it – I was used to seeing the green caterpillars of sulphur butterflies, not these bright yellow creatures.  One thing led to another, and as I read more in depth about this shrub, I realized that I probably purchased one of the non-native Cassias.  After much reading, counting leaves, and comparing leaf shapes, I’m sure of it.  Apparently mislabeling happens quite often with some species, especially this one.

According to my reading, the Florida native is Senna mexicana var. chapmanii, and I believe the one I have is Senna pendula, which is discouraged as it can become invasive.  Yikes!   But it’s so beautiful…

A side view of the bloom.
Cassias go by many common names: Yellow Candlewood, Rambling Senna, Christmas Senna, Golden Shower, Christmas Cassia, and Bahama Cassia, and (of all things) the Scrambled-egg Tree.  The terms "cassia" and "senna" are often used interchangeably, since these plants were once classified under the genus Cassia.  They reside in the very large bean family, Fabaceae (also Leguminosae), which is the third largest plant family in species behind the orchid and aster families.  The bean family contains immensely important species used by humans for millennia for food, forage, fertilizer, flowers, and clothing dyes. 

Its yellow color is related to diet.
Cassias also provide larval and nectar food for several species of sulphur butterflies in Florida: the Cloudless Sulphur, Sleepy Orange, and Orange-barred Sulphur.  The caterpillar I found munching away is an Orange-barred Sulphur, and interestingly enough, its yellow color derives from eating the bright yellow Cassia buds and flowers! 

The sketch was done in my:
Aquabee Super Deluxe  spiral-bound sketchbook
9x6 in, (22.86 x 15.24 cm), 93 lb. paper,
Sakura Micron Pigma pen 01,
and Daniel Smith watercolors.

For more online reading:
Floridata on the Cassia species I believe I have. 
From Heuristron, Orange-barred Sulphur emerging from its chrysalis.
Fact sheet on another non-native Cassia from the University of Florida IFAS Extension

Monday, October 20, 2014

Where are my images?

When I linked this blog to my Google profile, some of my images disappeared from this blog.  No warning, no display box, no choices to make.  So please bear with me while I begin the laborious process of  re-connecting my images with the appropriate blog post. 

I'm not sure why this happened, when  I researched it I found that other had suffered in the same way.  My photos are still showing in my Google profile, but just not linked up to Blogger.  I'm sure Google has lost many bloggers and received many irate communications.  I may move to another blog site, but for now will try to repair this one.  Thanks for your patience!